Barlow Extra Light (font) size 16
Don't Leave Me Here, 2018, Acrylic and mixed media on canvas, 60 x 60cm
Night Swells, 2019, Acrylic and graphite on canvas, 60 x 60cm
Churning, 2019, Acrylic and mixed media on canvas, 60 x 60cm
Waiting, 2021, Acrylic and mixed media
on canvas, 60 x 60cm
Sinking Study #3, 2021, Acrylic and mixed media on canvas, 30 x 30cm
Sinking Study #1, 2021, Acrylic and mixed media on canvas, 30 x 30cm
Sinking Study #2, 2021, Acrylic and mixed media on canvas, 30 x 30cm
Sinking Study #4, 2021, Acrylic and mixed media on canvas, 30 x 30cm
Finally, 2018, Acrylic and mixed media on paper, 54 x 56cm
Dark Passage, 2020, Acrylic and mixed media on canvas, 76 x 122cm
Beneath/Below, 2019, Mixed media collage, 50 x 60cm
The Dead Sea, 2018, Carborundum print, 35 x 48cm
Holding Pattern, 2020, Acrylic and graphite on canvas, 38 x 29cm
Weightless, 2020, Acrylic on canvas,
25 x 20cm
Ghostship, 2020, Acrylic and mixed media on canvas, 61 x 76cm
Moonlight on Kalymnos, 2018, Acrylic on board, 30 x 23cm
Hope Vessel's, 2021, Scarva ceramic with terra sigillata, variable sizes
Shown in April/May, 2021 at Neon Parlour Gallery alongside artist Rod Gray, messy, energetic gestures and scratching’s are laden with darker undertones, where materiality and expression converge to tell an abstract story of memory and imagination. In the series ‘Dark Passage’, haunting dream-scapes explore personal narratives of struggle and growth. Depression and anxiety have shaped these journeys, but so too has the yearning for clarity and joy. Boats become a recurring metaphor, perhaps as a form of emotional containment in themselves, compartmentalising, keeping hidden, processing. The mind and body as vessel, the viewer is invited to journey, inwards, through the darkness, to the depths of human psychology. Utilising the tension between abstraction and figurative subject matter, the fragile balance between tranquillity and torment intend to reveal a common ground, connecting people through shared experiences.
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